![]() ![]() When recording with a budget microphone, that’s usually my first EQ move. Depending on the vocalist, you should expect to cut anywhere from 2 to 6k.Ī neat trick I’ve found over the years of recording with budget microphones is that cutting with a narrow Q at around 1k makes the recording sound as if it was recorded with an expensive mic. However, cutting the lower register will inevitably bring out some shrillness in the higher mids. As soon you do that, you’ll notice that the vocal doesn’t feel as disconnected as before. Most often, you need to address muddy low-mid frequencies around 150-250 Hz. Most of the time, they need a bit of love to blend into the background music, and that’s precisely what we do with EQ. ![]() That’s totally fine, though it’s just the way microphones capture a sound. Surprisingly enough, this doesn’t have anything to do with volume per se, but with tonal disbalance in the recording. With the vocal nice and loud from the previous step, you’ll notice that it doesn’t always fit well with the instrumental and feels like it’s not working together with the rest of the track. It might sound disconnected, but that’s a great place to start molding your vocals into a polished sound. It would be best if you aimed to set your vocal at the level where it obviously floats above the rest of the instruments. It’s surprising how drastically the sound changes with added volume.īy making our vocal really loud in the mix in the first place, we eliminate the need to add a bunch of low end to make it sound nice and fat. Step 2: Vocal Volumeīefore reaching out to our favorite plugins, let’s make good use of the most basic audio effect – a volume fader. That way, you’ve already made your life much easier in the mixing stage. If you follow these steps and make sure not to crank the preamp gain too much and cause clipping, you can be sure to capture some great vocals regardless of the microphone you’ve got. Otherwise, anywhere from 2 to 12 inches is a safe spot to place your singer.īeing too far from the microphone is also not advisable as you’ll introduce a lot of background noise and end up with the vocal not sounding present enough. If you’re going for an intimate and soft vocal, you can take advantage of the proximity effect and place the singer pretty close to a microphone. The last thing to consider is the distance between the mic and the vocalist. That little thing literally separates professionally recorded vocals from amateur ones, so it’s wise to invest in one.Įven though they’re not that expensive anyway, you can still improvise and make a DIY version out of nylon socks or similar material. However, if you plan on recording powerful vocalists and a song with huge changes in dynamics from section to section, dynamic microphones might be a better choice as they respond much better to sudden changes in dynamics and handle the massive burst of volume without clipping the input.Īnother important piece of gear is a pop filter. ![]() They are very sensitive even to the tiniest nuances in the singer’s voice and open-sounding, so it’s suitable for most singers. The genre of music and style of singing is also an important factor to consider as they’ll massively affect your choice of mic and the positioning of the singer.Ĭondenser microphones are most widely used for recording vocalists. The first step to getting bigger sounding vocals is actually to record big sounding vocals in the first place.Įven though you have powerful tools at your disposal, a bad recording will always leave a lot to be desired, so it’s crucial to get things right from the very beginning.īefore we decide which microphone to use, it’s always a good idea to listen to the singer’s voice beforehand.
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